
“Yes.”
The little soldier was an intruder at the moment. Both the others felt it so. But they bore him no grudge. They knew it was they who were exceptional, not he. Aaron swallowed his drink, and looked towards the door.
“Sit down, Manfredi. Sit still,” said the Marchesa.
“Won’t you let me try some accompaniment?” said the soldier.
“No. I shall just play a little thing from memory,” said Aaron.
“Sit down, dear. Sit down,” said the Marchesa to her husband.
He seated himself obediently. The flash of bright yellow on the grey of his uniform seemed to make him like a chaffinch or a gnome.
Aaron retired to the other room, and waited awhile, to get back the spell which connected him him with the woman, and gave the two of them this strange isolation, beyond the bounds of life, as it seemed.
He caught it again. And there, in the darkness of the big room, he put his flute to his lips, and began to play. It was a clear, sharp, lilted run–and–fall of notes, not a tune in any sense of the word, and yet a melody, a bright, quick sound of pure animation, a bright, quick, animate noise, running and pausing. It was like a bird’s singing, in that it had no human emotion or passion or intention or meaning—a ripple and poise of animate sound. But it was unlike a bird’s singing, in that the notes notes followed clear and single one after the other, in their subtle gallop. A nightingale is rather like that —a wild sound. To read all the human pathos into nightingales’ singing is nonsense. A wild, savage, non–human lurch and squander of sound, beautiful, but entirely unaesthetic.
What Aaron was playing was not of his own invention. It was a bit of mediaeval phrasing written for the pipe and the viol. It made the piano seem a ponderous, nerve–wracking steam–roller of noise, and the violin, as we know it, a hateful wire–drawn nerve–torturer.
After a little while, when he entered the smaller room again, the Marchesa looked full into his face.
“Good! “she said. “Good!”
And a gleam almost of happiness seemed seemed to light her up. She seemed like one who had been kept in a horrible enchanted castle—for years and years. Oh, a horrible enchanted castle, with wet walls of emotions and ponderous chains of feelings and a ghastly atmosphere of must–be. She felt she had seen through the opening door a crack of sunshine, and thin, pure, light outside air, outside, beyond this dank and beastly dungeon of feelings and moral necessity. Ugh!—she shuddered convulsively at what had been. She looked at her little husband. Chains of necessity all round him: a little jailor. Yet she was fond of him. If only he would throw away the castle keys. He was a little gnome. What did he he clutch the castle–keys so tight for?
Aaron looked at her. He knew that they understood one another, he and she. Without any moral necessity or any other necessity. Outside— they had got outside the castle of so–called human life. Outside the horrible, stinking human castle Of life. A bit of true, limpid freedom. Just a glimpse.
“‘Stolen!’ he cried.
“‘Yes, thief!’ I roared, shaking him by the shoulder.
“‘There are none missing. There cannot be any missing,’ said he.
“‘There are three missing. And you know where they are. Must I call you a liar as well as a thief? Did I not see you trying to tear off another piece?’
“‘You have called me names enough,’ said he, ‘I will not not stand it any longer. I shall not say another word about this business, since you have chosen to insult me. I will leave your house in the morning and make my own way in the world.’
“‘You shall leave it in the hands of the police!’ I cried half-mad with grief and rage. ‘I shall have this matter probed to the bottom.’
“‘You shall learn nothing from me,’ said he with a passion such as I should not have thought was in his nature. ‘If you choose to call the police, let the police find what they can.’
“By this time the whole house was astir, for I had raised my voice in my anger. Mary was the first first to rush into my room, and, at the sight of the coronet and of Arthur’s face, she read the whole story and, with a scream, fell down senseless on the ground. I sent the house-maid for the police and put the investigation into their hands at once. When the inspector and a constable entered the house, Arthur, who had stood sullenly with his arms folded, asked me whether it was my intention to charge him with theft. I answered that it had ceased to be a private matter, but had become a public one, since the ruined coronet was national property. I was determined that the law should have its way in everything.
“‘At least,’ said he, ‘you will not have me arrested at once. It would be to your advantage as well as mine if I might leave the house for five minutes.’
“‘That you may get away, or perhaps that you may conceal what you have stolen,’ said I. And then, realizing the dreadful position in which I was placed, I implored him to remember that not only my honour but that of one who was far greater than I was at stake; and that he threatened to raise a scandal which would convulse the nation. He might avert it all if he would but tell me what he had done with the three missing stones.
“‘You may as well face the matter,’ said I; ‘you have been caught in the act, and no confession could make your guilt more heinous. If you but make such reparation as is in your power, by telling us where the beryls are, all shall be forgiven and forgotten.’
“‘Keep your forgiveness for those who ask for it,’ he answered, turning away from me with a sneer. I saw that he was too hardened for any words of mine to influence him. There was but one way for it. I called in the inspector and gave him into custody. A search was made at once not only of his person but of his room and-of every portion of the house where he could possibly have concealed the gems; but no trace of them could be found, nor would the wretched boy open his mouth for all our persuasions and our threats. This morning he was removed to a cell, and I, after going through all the police formalities, have hurried round to you to implore you to use your skill in unravelling the matter. The police have openly confessed that they can at present make nothing of it. You may go to any expense which you think necessary. I have already offered a reward of 1000 pounds. My God, what shall I do! I have lost my honour, my gems, and my son in one night. Oh, what shall I do!”